Homotherium's jewellery debut!

As I've mentioned in previous post, I've been thinking about merging my passion for jewellery with my passion for palaeontology, and I did just that! The first palaeo-pieces are dedicated to Homotherium, and in particiular, to Homotherium latidens, an Eurasian species. 

For those who don't know much about that saber-toothed cat, let me write an introduction: Homotherium is a genus of machairodontidae family (one of several families, spread along three different biological taxa, of animals commonly referred to as saber-toothed cats), one that lived during the Pliocene and Pleistocene epochs. It was a rather successful genus, ranging from both Americas, Eurasia and Africa, and existing for approximately 5 million years. Homotherium is sometimes referred to as a scimitar cat, or a scimitar-toothed cat: this is because it has a different, shorter type of canines than its better known cousins like, for example, Smilodon. Its canines also have serrated edges, and those probably helped with cutting through thick hide of the preferred prey.

You already saw that one, but introduction without a picture is no introduction!

Homotherium displays an array of adaptations to life in cold climates, and more cursorial lifestyle than typical for most cats. It had large nasal opening, which allowed it to breathe faster (by which I mean it was able to breathe in and out quite rapidly, and that's really important if you want to run fast, just ask any horse ;) helping with running and cooling the brain. It had also large and complex visual cortex, which suggest it was more diurnal rather than nocturnal like most other cats. Homotherium's limbs were proportionally long, and, interestingly, its forelegs were longer than its hind legs, giving it sloped, hyaena-like appearance. Feet on the back legs were also partially plantigrade, to allow a greater contact with substrate on which the animal walked, making it easier for it to move across the snow.

Apart from being adapted to a more cursorial, active lifestyle than most cats, it was also a big-game hunter. It's typically associated with higher altitudes, and most common in the North, alongside big prey animals such as mammoths and woolly rhinos. Some evidence suggests that it specialised in hunting juvenile mammoths. This in turn suggests that those cats probably hunted in prides, similar to modern day lions. Animals whose remains are found alongside those of Homotherium's would be very difficult for an individual cat to bring down. Homotherium was about the size of a modern male African lion.

It first became extinct in Africa (about 1.5 million years ago), than in Eurasia, with the youngest found remains estimated to being about 28 000 years old (though that may not be correct estimate) about the time when climate shifted, and forests became more dominant in the landscape. Homotherium was a cold steppe hunter, and the shift to more forested environment favoured prey it was not well equipped to hunt). The genus lasted longest in North America, until about 10 000 year ago. Evidence from South America is scant, with a few recorded fossils of 1.8 million year old H. venezuelensis. It's hard to tell how long the genus lasted there, but it certainly did partake in the Great American Interchange, alongside Smilodon. 

It also happens to be one of my favourite saberteeth (hope that's the correct plural;) 

And as for the jewellery:

There's a necklace:

I must say that it was fun to make it (and earrings as well). I wanted it to feature Homotherium specifically, and not just some generic sabertooth head. To make the image, I first found a picture of Homotherium's skull (and it was H. latidens to be exact), drew a grid on it, copied in on a piece of paper, then scaled it down, drew soft tissue on the skull, and then scaled the whole thing even more, so it would fit on the pendant. It was an interesting exercise. The rest was easy, and typical: adding scrolls to the design, making the chain, the bail, oxidising...

And while I'm writing about the skull: it's rather long, and the lower jaw has down-turned flanges, that helped to protect the canines. The skull has also a well-developed crest, and that means that these animals had a hell lot of muscles to power the lower jaw. 

The necklace is 50cm ( 10 4/16in) long, and the pendant is 3.2cm (1 4/16in) in diameter. 

I forgot to use polarizing filter. Oh, well...

 There are also earrings, as I've already mentioned:

The images of the heads here I made exactly the same way as on the pendant. I must say that fitting them on a 1cm wide strip of metal was fun... I also decided to solder a jump ring to each earring, instead of making a whole in them. And of course I ended with solder all over the place. And what is really irritating about that? I had a little dish with yellow ocher pastel powder at hand. I just forgot it was there. I will either get really good at soldering, and stop getting solder everywhere, or will invent some extremely effective way of getting rid of the stuff, or maybe I will actually develop some decent memory, and stop forgetting about things like using something to stop the solder from flowing where I don't want it to go... The second one from all of these is the most probable development ;P

I've also got a new lens, and I already like it much, much better than the old one.

While making the earrings, I decided to play with a saw a bit more than usual, to practice. I know, it's not a very intricate shape, but I'm happy with it, especially because I managed to cut each earring in one continuous loop. That's really good, considering my sawing skills... or lack thereof... I now actually have some hopes of developing decent sawing-capabilities. Not so long ago I would not believe it possible. Unthinkable: my saw started to cooperate with me ( or, more likely, I stopped stopping it from doing its work properly) ;) The earrings are 4.5cm (6 with ear wire) or approx 1.8in (~2.4in counting ear wire) long.

So, that's that. Necklace is available here, and earrings here. And I also got renaissance wax, and I'm going to see how it works. Right now I now only one thing: it stinks like shoe polish ;P I hope it was worth the price tough. 

Till the next time!

Kasia

PS. should someone like a print with Homotherium, or, I don't now, a mug or something, I'm on redbubble. And I sometimes actually upload something there... 
PS2. Sources! I forgot to list the sources I used, and now I'm embarrassed! So here we go:
Ascanio D. Rincón, Francisco J. Prevosti & Gilberto E. Parra "New saber-toothed cat records (Felidae: Machairodontinae) for the Pleistocene of Venezuela, and the Great American Biotic Interchange", Journal of Vertebrate Paleontology, 31 (2), pages 468-478, DOI:10.1080/02724634.2011.550366
http://www.wired.com/2010/11/facing-homotherium/
http://www.prehistoric-wildlife.com/species/h/homotherium.html

The Wild Song is growing

... slowly, but steadily. Few days ago I finally finished, photographed and uploaded another pieces of this collection. I rather like how it's all coming together nicely and cohesively, but, every time I have to photograph new items, I reacquaint myself with the fact that I really, really don't like taking pictures.

Anyway, here are the new items (click on the pictures if you want a better view).
Raven song necklace to match the earrings I showed last time:

... with some stupid light reflection on the lower part of the pendant.

I really have to figure out how to properly light the items I'm photographing, especially considering the climate I live in. But, on the brighter note: I made myself a necklace stand :D

Ta-daaaaaah!!!

Finally, some half-decent way of displaying necklaces in, more or less, their entirety! Definitely easier than trying to take a picture of a necklace while you're wearing it.
And, if someone is interested in chain details, here you go:

The chain is 53.5cm long, pendant is 3.5 x 1.8cm cm, and the whole piece is entirely handmade.
Next in line is another piece of Raven Song. I decided to call these pieces Raven Song: flight.
There's necklace:

I can't decide what's wrong with this photo. I really don't like it.

 I looks soooo much better in person. I will be definitely retaking those pictures.

And here it's showing how it looks when worn. I really like this one, even though it took forever to etch the pendant: at first try I left it for 3h straight (as this is amount of time needed to etch copper to the depth I like ), only to discover that somewhere half-way through the paint peeled off. I have no idea why this happened. So I cleaned it, painted again, and etched for an hour, stripped the paint, painted again, etched for another hour... and so on. I think, in the end, it spent some 6 - 7h etching (counting, of course, the first botched attempt).

The chain on this one is 49.5cm long, with pendant being 5cm long and 2 cm wide. On the side note, I have no idea why that chain is a bit shorter, as I used exactly the same amount of jump rings in all of the necklaces I'm showing today. One of the mysteries of the universe, it would seem...

There are also earrings:

And they also spent some ridiculous amount of time etching, together with the necklace. And these also look better in person.

And that's just about the only photo of them I'm more or less happy with. It wasn't a good day for photography (and I really don't want to think about the fact that I have to photograph this lot again. Ugh.).
Those earrings are 3.7cm (5.2 including ear wires) long, and 1cm wide.

And final piece of the Wild Song (for now, there are more to come ): Wolf Song: the night. Just the necklace, I still haven't made earrings for it ( haven't even started them, even though I started to make another set altogether. It's all because I don't have a disc cutter, and I don't like to saw round blanks out. Yup, that's my official excuse.)

Just look at all that light reflecting here. Grrrrrrrr.

 See what I meant about better lighting the items???

I had some problems with this necklace as well, but that was due to saline solution becoming over-saturated with copper, making it much less effective. The etching on this one is shallower than on the other items, and it spent 4 or 5h etching. I will definitely make new solution for next projects. I could make fresh batch and etch it for, say, an hour more, but I just wanted to finish that piece, and the image is visible enough (though polishing proved a bit tricky).

Chain here is 54cm long, and the pendant is 3.6cm tall (measuring with the bail) and 3.2cm wide.

All are available in my etsy store.
One good thing came from making all these chains though: I got a bit faster with making them. I'm guessing it's because I figured out a better way of cutting jump rings, so I don't spend that much time on this task. Now, if I only managed to find right diameter steel rod to use as mandrel for making rings, it would probably take some time off the making process as well ( coiling wire with help of a drill is, I'm guessing, a little bit faster then doing it by hand). I'm also entertaining the idea of making some bangles for this collection. I just have to find proper container, if I want to etch them. 

I also was quite surprised when I was uploading all those pieces to etsy. They changed jewellery categories (others probably too, but I don't know). And I'm a bit... confused? That's not the best word, but... before, categories were more or less like that: jewellery-> necklaces(for example) -> metalwork. The narrowest category was medium/technique. Now, it's type of an item. And I have a problem. With necklaces. Should I upload them as chains? They're not just chains. Pendants? Not just pendants either. Charm necklaces? Aren't charms generally rather small? I'm partially blaming language barrier for my confusion ;)  I think I uploaded one in chains, one in pendants, and one in charms. So... anyone has idea as to which of those three categories would be appropriate for these?

And finally, I bought ring triblet and sizing rings! And decided to have a go at making rings :) I still didn't figure out how to go about selling some, but for now I just experiment. Which will probably result in dramatic increase of amount of rings I own ( as if that was difficult... I left my last two rings in Dublin airport's bathroom...). Once I'm confident I know what I'm doing, I will try to figure out how to approach selling them.

Till the next time!
Kasia

Branding, finding your own style, and salt water etching

I've spent the last 2 months seriously researching marketing, branding and the like.  Up to this point I wasn't really doing much to promote my shop, nor was I really treating it like you would treat a business. But, when I reopened my shop last November, I decided that I really need to get myself together and start seriously working on the shop if I want anything to come of it.

One thing I always had problem with was defining my brand (and style). I still probably wouldn't be able to do this verbally if someone asked me to describe it, but after all that research, I have at least some visual idea as to what makes up my so-called "brand". I have a lot of figuring out still to do, but getting idea as to what, exactly I represent visually (or what do I want to represent) definitely was a huge help: I'm much more able to focus on developing a consistent collection. Before that, I was just kind of drawing ( and then making) any design that happened to pop into my head. I still do that  (drawing, that is) but I'm becoming more selective as to what I will put on sale. And I can't stress enough just how helpful that change was: I have some 24 designs drawn, and ready to be made (3 of those are actually already made, photographed, and in store, but more about it later :)

I decided that, for now, I want to focus on developing two separate lines, quite different, but each one cohesive, and there will be some overlapping, re-occurring motifs (because, well, both will be made by me ;P)

What really helped me with this, was a very simple exercise I came by on pinterest ( once I find it I will add the original source here).

somewhat visual representation of the light bulb moment I'm mentioning later on.

 It's ridiculously straightforward idea, and quite obvious once you read it. My first thought was: "why the hell didn't I think about this?!? " The idea is to write your name on a piece of paper, and then start adding to it things that define you. Anything that comes to mind when you think about yourself:interests, personality traits, favourite colours, and so on. Actually, it wasn't that exercise itself that brought my light bulb moment, but it was the exercise that led to it, because it put my mind on the right track (hope that makes sense ;P): I started out with that name-and-defining-charcteristics thing, and after I ran out of ideas, I started to look at all the designs I drew, and found reoccurring themes in many of them: moons, ravens, wolves, trees (if rather skeletal ones) and... how should I call them? Curvacious ornamental elements? I have no idea how do you call doodles like that in English (which, I suspect, is kind of evident from that description). But they are present on the three pieces I mentioned above, so you will be able to see what I mean ;P

I already knew that material I really want to work with is metal, so choosing medium and techniques wasn't difficult. Which brings us nicely to the salt water etching part of that post.

I always liked the look of etched jewellery, but I never got around to buying etching solution, and, quite frankly, wasn't very comfortable with using a rather strong acid at home ( I worked with strong acids before, but that was always in properly equipped lab, not home ) And then I stumbled upon a video showing salt water etching technique, and it's ridiculously easy to set up, and involves only non-iodised salt, water, metal you want to etch, a piece of scrap metal and a weak electric current. Perfect! No harmful chemicals ( though you still need to properly dispose of the copper-saturated solution, once it stopped working - you can't pour it down the drain, and the same goes for used, copper-saturated pickle, by the way. My solution is still going, though, after etching 2 pairs of earrings and two pendants) I won't be going into details here (because that post is already getting monstrously long), but check the link I provided - and make sure to check his first salt water etching video also. For my electricity source I used phone charger and two semi-insulated screwed-on alligator clips (thus eliminating need for soldering). It has lower output than recommended 9V, as it is just 5V. This may contribute to the speed with which the etching is done: it's sloooow. To get to the depth I like, I have to keep it going for three hours. But it's brilliant otherwise!

And I made those lovelies with it:

 

All three pieces (or five, if I would feel like nit-picking) are made of copper. The necklace chain is also handmade by me. And I also decided that I like photos on black background better than with white one (must have something to do with the fact that black is my favourite. And red. But mostly black) To block the areas I didn't want etched I used acrylic paint - painted on with... a toothpick. High-tech, I tell you. (Getting the paint off the pieces after etching was another matter: if I don't rub it off from still wet piece, it becomes really hard to get rid of. Like, combination of scrubbing, nail polish remover and baking soda hard )

 

 These are the first pieces of one of the lines I mentioned. The line is called The Wild Song, and the necklace and wolf earrings are Wolf Song core pieces, and raven earrings are part of Raven Song core pieces. There will be also matching necklace - I have the pendant etched already, but I need to add a bail, and make a chain (5 h for the wolf one, ugh ) And isn't the black background gorgeous? They look so... elegant with it :D Oh, and those doodles... the curvacious ornamental elements... how do you call something like that in English?

The other line I'm planning will be called Axis Mundi (world axis in Latin), which will consist of metal clay pieces, shaped like... that will be obvious to anyone with interest in ancient mythologies ( European mostly, but that's really common theme ) trees. So I can say that moon tree pendant was actually the first piece in that line. I just have to retake its pictures ;)

I hope that I will be able to work more efficiently and cohesively (and consistently )now that I somewhat know what look I'm aiming for. I just need to figure out effective marketing strategy ;)

Till the next time!
Kasia

Copper necklace with cold enamel

I've finally finished a new piece! I've spent quite a bit of time working on it, and waiting for the epoxy hardener to arrive, so I could finish it off with adding cold enamel to it, but finally all of it is done. And I'm very happy with how it turned out.
Ta-daaaaaah!

I've made it entirely by hand, the only ready-made elements being the carnelian beads. The chain, and the pendant were made from scratch by me.

The necklace was loosely inspired by the early medieval Slavic jewellery. I had to adjust the design slightly - originally I wanted these... dots to go not only around the middle "resin nest" by also between each of those on the perimeter, but there wasn't enough place for them.

I've made the pendant using chasing and repousse technique. I was a bit afraid that the "nests" I created for the resin to go into won't be level, and that the enamel will overspill, but fortunately that was not the case.

Both the pendant and the chain were oxidised to deep grey colour and then polished to create highlights.

The chain alone took 4 hours to make! I'm not sure you can imagine how my hand felt once I've finished it ;) Anyway, here it is, ready to be sold in that very box you can see on that last photo :)
I love, love, love working with copper! I hope I will have something new to show soon :)
Till the next time!
Kasia.

Beginning...

I think, for the first post, introductions are in order!

My name is Kasia and I just love making jewellery. I love other crafts and art in general too, as well as good deal of science (biology mostly), but this blog will be dedicated to handmade jewellery (as you probably guessed from the blog title ;).

Until recently, I've mostly been making polymer clay and papier-mache jewellery, but recently I found out about wonderful technique called chasing and repousse and started to work in it as well.

I have an etsy store, deviantart, pinterest and google+ accounts, so check them out if you're interested!

And i this first post I will share my newest creation: handmade copper necklace made in viking knit, chainmaille and chasing and repousse techniques. 
Click on pictures for better view :)

Chasing and repousse is a very old technique, one that had been used by ancient Egyptians, Greeks and other cultures. Basically, you anneal metal to make sure it won't brake when you work it, place it in pitch ( or other material, such as beeswax, piece of lead or hard rubber. From what I've read, some people actually use even plasticine. Whatever you choose, the material must support your piece of metal so it doesn't collapse unpredictably, but also must have some give, so you can create some pattern) and start hammering outline of the pattern you wish to create.

After this is done, you take the item from the pitch, clean it, anneal again, turn over and start this whole process anew. Heating the metal often is very important, because it hardens during hammering and can brake if not soften again. Annealing also relieves internal stresses in metal.

  

For my piece, I chose raw copper - it means it hasn't got any non-tarnish coating. Pendant itself is lightly oxidised and polished to accentuate raised pattern. It is suspended on viking knit chain.

I've finished the viking knit part by adding short lengths of chainmaille chain and handmade hook clasps.

The whole necklace is about 55.5cm long and weights just 17g.

I am definitely looking forward to making another piece in chasing and repousse. It's technique that takes a lot of time (and sometimes patience ;) but I absolutely love it!

Till next time!
Kasia